It is often used for comic, or occasional stylistic effect. Cinematographers refer to fast motion as undercranking since it was originally achieved by cranking a handcranked camera slower than normal. The opposite of slow motion is fast motion. The technique is especially associated with explosion effect shots and underwater footage. American director Sam Peckinpah was another classic lover of the use of slow motion. Japanese director Akira Kurosawa was a pioneer using this technique in his 1954 movie Seven Samurai. The Matrix made a distinct success in applying the effect into action scenes through the use of multiple cameras, as well as mixing slow-motion with live action in other scenes. Another example is Face/Off, in which John Woo used the same technique in the movements of a flock of flying pigeons. Vsevolod Pudovkin, for instance, used slow motion in a suicide scene in his 1933 film The Deserter, in which a man jumping into a river seems sucked down by the slowly splashing waves. Slow motion can also be used for artistic effect, to create a romantic or suspenseful aura or to stress a moment in time.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |